ATEK-639/439 — Fall 2025
Pandaemonium Architecture 6.0
Scott Benzel
Mondays 1-3:50 A211H
“Whatever else AI is, it is not neutral, and neither can we be. AI is political because it acts in the world in ways that affect the distribution of power, and its political tendencies are revealed in the ways that it sets up boundaries and separations. The apparatus of AI forms feedback loops with the rest of society: it’s “a structured structure that becomes a structuring structure” (Bourdieu, 1980)”
Dan McQuillan, Resisting AI, an Anti-fascist Approach to Artificial Intelligence
“…rituals of reversal…“rewire” the crucial connections in the social structure by providing symbolic statements of traditional social imperatives and basic categories of…world view.”
Evon Z. Vogt, Rituals of Reversal as a Means of Rewiring Social Structure
This course examines whether artists employing machine learning, generative algorithms, predictive models, and other technics—tools of what Deleuze called “the Societies of Control”—can make art that is evocative, powerful, critical, perhaps even socially transformative.
Introductory Readings
Syllabus
A grin without a cat
Claudia Jacques, Scott Benzel
Shoggoth with a Smiley Face
qntm, Nadia Asparouhova, Scott Benzel
Degrade the Threads
Adam Elkus, Jean Baudrillard, Scott Benzel
A Pervasive Global Cognitive Automaton
Benjamin H. Bratton, Matt Colquhoun, Scott Benzel
Young Slime Life
Eric Bonabeau et al., Karen Barad, Scott Benzel
Young-Grrrl War-Machine, The Cyberfeminism Index
Alex Quicho, Mindy Seu (editor), Christopher Hadnagy
Eliminative Materialism and Neurophilosophy
Natasha Dow Schüll
Art as Abstract Machine
Stephen Zepke
Hopeium, a hell of a drug
Satoshi Nakamoto, Diedrich Diederichsen, Daniel T. Baldassarre
Metaruins
Donald Hoffman, Nick Bostrom, Geoff Shullenberger
Lulzsec to Nulzsec
Hugh Davies, Finn Brunton and Helen Nissenbaum
Asymmetrical Likewar to Autoasymmetry
Mark Fisher, C. Thi Nguyen
Parasites Lost
David Roden, Isabel Millar
October 13 — No class (Indigenous People’s Day)